I really enjoyed “The Gift,” a suspense thriller that reminded me a lot of one of those good hour-long “Alfred Hitchcock Presents” TV episodes from the ‘60’s. If you’ve never seen an “Alfred Hitchcock Presents” episode, I’ll explain.
To provide competition for CBS’s success with “The Twilight Zone,” NBC decided to create its own anthology series that focused more on suspense than sci-fi. Their answer was “Alfred Hitchcock Presents” hosted by the ‘Master of Suspense’ himself, Alfred Hitchcock. What made “Presents” different from “Zone” was depicting more humanistic dramas than “Zone’s” penchant for other-worldly entities invading ordinary life. “Presents” episodes focused on the criminal aspects of the human condition- namely murder, theft and betrayal. What both series had in common was their goal to end each episode with the plausibly ironic or unsettling ending that would endear themselves to their viewer. While “Zone’s” endings felt like a surprise punch to the gut, “Presents” built slowly towards endings that were not only plausibly surprising but, in dealing with our human faults, made these endings all the more creepy and disturbing. Unlike “Zone’s” showy stage, “Presents” showcased actors in a stage both efficient and sparse- more like an episode of “Playhouse 90” that felt like you were watching a Broadway play. “The Gift” has all of that efficient staging and showcases actors in a story built on our humanistic faults of malice and revenge; its effectiveness is its culmination to a conclusion that leaves its viewer plausibly surprised, unsettled and disturbed. Continue reading